Another pre-code Edgar Allan Poe adaptation for you today, this one I originally donated to the excellent Quasar Dragon blog way back in January 2009. So here it is again for anyone that missed it the first time, from the June 1953 issue of Chilling Tales #16.
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Number 1269: “Nuts to you, Super-Brain!”
Người đăng: vanmai yeu em
This posting begins another theme week, specifically costumed heroes of the early days of comics. It was brought to mind by seeing the name of old friend Raymond Miller pop up on Wikipedia. The article quoted Ray on Fiction House comics. Ray and I corresponded for a time in the sixties, when we traded some comics. Ray wrote me then that he considered the comics up to 1943 to be the best comic books. Ray, born in 1931, would have been about eleven or twelve-years-old in 1943, and, as someone once observed when asked the question, “So when was the Golden Age?” shot back the answer, “Twelve.”
There is truth in that, and I'm a good example.
First up in our theme week is Rangers of Freedom #2, a Fiction House comic from 1941. A couple of months ago in Pappy's #1248 I showed you the lead story from issue #1, which told us that a group of young boys were chosen to lead the fight against America's enemies. Now doesn't that sound like a twelve-year-old's fantasy? The Rangers of Freedom didn't last long, only seven issues. The lead feature was dumped and the comic became just Rangers Comics. Yes, the story is silly. Something that isn't silly is the beautiful artwork by Joe Doolin, another fantastic Fiction House artist.
Come back tomorrow for our second entry, a Captain America copycat, Lone Warrior.
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There is truth in that, and I'm a good example.
First up in our theme week is Rangers of Freedom #2, a Fiction House comic from 1941. A couple of months ago in Pappy's #1248 I showed you the lead story from issue #1, which told us that a group of young boys were chosen to lead the fight against America's enemies. Now doesn't that sound like a twelve-year-old's fantasy? The Rangers of Freedom didn't last long, only seven issues. The lead feature was dumped and the comic became just Rangers Comics. Yes, the story is silly. Something that isn't silly is the beautiful artwork by Joe Doolin, another fantastic Fiction House artist.
Come back tomorrow for our second entry, a Captain America copycat, Lone Warrior.
Redrawn Faces in MSH #14?
Người đăng: vanmai yeu em on Thứ Bảy, 24 tháng 11, 2012
It is well-known that when Jack Kirby came over to DC in the early 1970s and started working on Jimmy Olsen as well as other titles, that Superman and Jimmy Olsen's faces were redrawn by DC staff artists like Al Plastino and Murphy Anderson. But it appears that this practice actually started at Marvel.
I've already talked about the bizarre one-off Amazing Spiderman story that appeared in Marvel Super-Heroes #14. At least according to a note Stan appended to that story, Johnny Romita was ill and so Ross Andru was pressed into service to fill in for the Jazzy one for a single issue. But Romita apparently recovered and met the deadline, so the story was shelved.
There were a couple of oddities about this story. First, although Andre's longtime inking partner, Mike Esposito, was already inking ASM under the nom de plume of Mickey Demeo, he was not given this assignment; instead the tale was inked by Bill Everett. And second, it looks very much like Romita redrew the faces of Gwen and Mary Jane here:
A friend of mine named Jeff pointed this out to me in an email. As I noted in response to him, what clinches it for me is that while MJ and Gwen both look reasonably normal, Harry doesn't look like himself at all; he looks more like the Sandman. This also gives us a clue that the story must have been drawn well before the publication date of May 1968, as Romita had changed Gwen's hairstyle by then to make it longer. She looks more like she did in 1967:
By 1968 her hair was much longer and straighter:
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I've already talked about the bizarre one-off Amazing Spiderman story that appeared in Marvel Super-Heroes #14. At least according to a note Stan appended to that story, Johnny Romita was ill and so Ross Andru was pressed into service to fill in for the Jazzy one for a single issue. But Romita apparently recovered and met the deadline, so the story was shelved.
There were a couple of oddities about this story. First, although Andre's longtime inking partner, Mike Esposito, was already inking ASM under the nom de plume of Mickey Demeo, he was not given this assignment; instead the tale was inked by Bill Everett. And second, it looks very much like Romita redrew the faces of Gwen and Mary Jane here:
A friend of mine named Jeff pointed this out to me in an email. As I noted in response to him, what clinches it for me is that while MJ and Gwen both look reasonably normal, Harry doesn't look like himself at all; he looks more like the Sandman. This also gives us a clue that the story must have been drawn well before the publication date of May 1968, as Romita had changed Gwen's hairstyle by then to make it longer. She looks more like she did in 1967:
By 1968 her hair was much longer and straighter:
A different Tarzan
Người đăng: vanmai yeu em
Here is the first of the Tarzan stories published by Dynamite Comics. Enjoy.
http://www.mediafire.com/?81g5ws4re3gvpta
Number 1268: Plastic Man and the rubber expander
Người đăng: vanmai yeu em on Thứ Sáu, 23 tháng 11, 2012
In 1956 I bought Plastic Man #64 off the comic book spinner in a local drugstore. It was the first time I'd seen the character or read superhero stories that looked like they belonged in Mad comic books. I didn't realize at the time that it would be the last issue of Plastic Man, not to mention it was all reprints (it hardly matters if you haven't seen the stories before).
The story I'm showing today was the lead in that last issue, with the title “The Expander Device” lettered into the splash panel. My post today is from Plastic Man #24 (1950), the story's first of three appearances (the other issue it was reprinted in was #44.) Plastic Man is one of my first true loves from Golden Age comics. In my early years as a collector I bought, traded andstole borrowed what I could.
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The story I'm showing today was the lead in that last issue, with the title “The Expander Device” lettered into the splash panel. My post today is from Plastic Man #24 (1950), the story's first of three appearances (the other issue it was reprinted in was #44.) Plastic Man is one of my first true loves from Golden Age comics. In my early years as a collector I bought, traded and
Nhãn:
Jack Cole,
Plastic Man,
Quality Comics
Hop Frog by Edgar Allan Poe
Người đăng: vanmai yeu em on Thứ Năm, 22 tháng 11, 2012
A nicely done pre-code comic book adaptation of Edgar Allan Poe's Hop-Frog; Or, The Eight Chained Ourangoutangs, written towards the end of Poe's life and originally published in March, 1849 (click HERE for more interesting tidbits about it.)
From the February 1954 issue of Nightmare #11.
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From the February 1954 issue of Nightmare #11.
Number 1267: Yarmak's yakety-yak; Pappy's 2012 Thanksgiving Turkey Award winner
Người đăng: vanmai yeu em
This is the seventh annual Pappy's Thanksgiving Turkey Award, given annually to the most oddball, weird, or otherwise unusual comic that sticks out in my mind. Since I make the rules my judgment of a winner is final.
I had a very hard time this year finding a story odd or even bad enough to deserve an award. There could be a reason. Perhaps I've tapped out the really bad stories (hard to imagine that) or maybe I'm just getting so jaded from reading hundreds of comic books of varying quality to choose postings for this blog that I don't know anymore what's oddball and what isn't.
Horrors. I might need a vacation away from comic books to revive my perspective.
Be that as it may, I've still got enough left to recognize a winner when I see it. The 2012 Award's salvation was stumbling onto this undated Australian comic from what looks like the late 1940s, Yarmak #20, a jungle hero by Stanley Pitt, his brother Reginald, and Franklin Ashley. As far as it goes, the artwork is fine — the late Stan Pitt was a very well-regarded artist on this side of the planet, also — and the story doesn't make a lot of sense but it's not hopeless. What distinguishes this comic, and gives it a coveted three out of four turkeys is the dialogue, which is precise and proper, and not at all fitting in the primitive setting. Even the animals speak proper English, fer cryin'-out-loud!
Soon as I read it I shouted to no one in particular, “WE HAVE A WINNER!” (Shouting to no one in particular is another sign a vacation may be necessary...)
You can click on the picture from last year's winner, and links posted there will take you back to the past awards. I have re-scanned and re-posted the earliest winners.
From Pappy's #1058, Thanksgiving 2012, “Andy’s Atomic Adventures”:
