Hiển thị các bài đăng có nhãn Pay-Off. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Pay-Off. Hiển thị tất cả bài đăng

Người đăng: vanmai yeu em on Thứ Tư, 29 tháng 2, 2012


Number 1114


Bad blondes


Women didn't fare too well in pulp crime fiction or crime comic books of a bygone era; they were either on the covers being threatened in hideous ways by evil men, or inside being victims or victimizers (read: "bitches"). Women engaged in "normal" female activities were usually relegated to character rather than starring roles. Okay, I know that's a pretty broad statement. (Hyuk hyuk. Get it? Broad?) Maybe it's true or just my perception, having read a lot of crime comics and pulp crime fiction over the past half century.

The two blondes who both appeared in 1948's Pay-Off #1 meet the bitch specifications: they are manipulative and murderous. Murderous because they arrange for a killing, but manipulative in that they get someone else to do their dirty work. "The Guilty Conscience," drawn by Louis Schroeder, is even more blatant. Della, the gangster's girlfriend, uses the promise of sex (shown as a kiss and a flash of leg, plus her thought, "I've never seen a chump yet who wouldn't double-cross his own mother for a a pretty leg."*) She gets the youthful criminal wannabe, Jud Gibson, to ice-pick Nick Lavino to death.

In "Diamond Lil of Otsego," art by Bob Jenney, Lil gets her friend May to do the murder of the poor old caretaker for his life insurance. In this case the blonde gets another woman to do a murder, but May is a brunette.














*True.
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Người đăng: vanmai yeu em on Thứ Hai, 25 tháng 4, 2011


Number 936


Grim Paree


Looking through some old crime comics I noticed that stories of Parisian criminals looked back at me from three of the five comics I leafed through. What was it about Paris that incited writers of crime comic books? France had been liberated from the Nazis just a couple of years before, yet there is no mention of war in any of the stories. Crime in any country is much the same as any other country, and god knows the USA has enough crime of its own. But Paris, to those comic book scripters of 60+ years ago, must've been a very exotic place, full of people who wore neckerchiefs, and exclaimed "Parbleu!" or "Sacre bleu!" They had the bleus in Paree in those days...

From Crime and Punishment #2, 1948 comes "The Plague Of Paris," illustrated by Fred Guardineer, he of the fastidious ink line. It is a reprint from its older sister magazine, Crime Does Not Pay #48, from 1946. And speaking of Crime Does Not Pay, Rudi Palais, his usual over-reliance on flying sweat drops missing from "The Blonde Queen of Crime," does the illustrative honors, picturing the blonde queen in fishnet stockings and her man in a beret, thus apprising us via such visualizations that yes, they are Frenchies! The story is from issue #39, 1945.

Our last story was drawn by Bob Butts, who signed his name R. Butts in the penultimate panel of page 7. I have featured the splash panel before in Pappy's #727, in my continuing quest to find all the swiped figures of what I call "Jeepers Girls."* The story, "Murders On The Rue Brevet," set in Paris in 1925 is from Pay-Off #1, a crime comic from 1948.
























*More Jeepers Girls here.
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