Hiển thị các bài đăng có nhãn Graham Ingels. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Graham Ingels. Hiển thị tất cả bài đăng

Number 1520: Everything I know about cheating spouses I learned from EC Comics

Người đăng: vanmai yeu em on Thứ Tư, 5 tháng 2, 2014

I was sheltered as I was raised, not allowed to make a fist until I was 23 (as actor McLean Stevenson used to say). Well, it wasn’t quite that bad, but up until I entered puberty I had no idea about The Real World Out There, the one where people who are married are sneaking around on each other. Puberty coincided with reading used copies of EC Comics, which I bought mail order (50¢ each!) from Bill Thailing in Cleveland, Ohio. Hoooo boy, did I learn a whole lot from them!

First and foremost I learned that when a wife or husband is cheating they will either kill their spouse or be killed by their spouse. Then they will return from the grave to wreak revenge. I believed the first, but not the second. No, revenge could not be that easy. In that era, as I later found out, many places, including New York where most comic book people lived and worked, had very tough divorce laws. So you couldn’t say, “Why don’t these wronged people just get a divorce?” Actually they could, because before divorce laws were liberalized, proving adultery was the one surefire way to obtain a divorce. Then, as now, some people try to get around any kind of divorce by just murdering their spouse. Seems awfully extreme to me, but it is bread-and-butter to writers of horror, mystery fiction and true crime books.

These pages by Ghastly Graham Ingels are scans of original art from EC’s Crime Suspenstories #7 I found a few years ago on Heritage Auctions. What impresses me isn’t the shopworn triangle love/revenge plot, but Ghastly’s treatment. His gothic style made even something like the circus look creepy. His characters can be unattractive, causing one to wonder how they could be involved in an affair. But then, as I emerged from my cocoon of naïvete thanks to EC Comics, I found that adultery is more a crime of opportunity and less about meeting some good-looker who sweeps you off your feet.








More about

Number 1254: Horrors! It's Halloween!

Người đăng: vanmai yeu em on Thứ Tư, 31 tháng 10, 2012

Today is Halloween, and my one bag of jelly beans is ready to parcel out to the trick or treaters, one jelly bean at a time. I found the jelly beans in a drawer in the basement, so they are several years old. When I poured them into a bowl I noticed some of them were moldy. Nice guy that I am I picked out the worst of them. But my eyes, fried from sitting in front of a computer monitor all day, probably didn't detect them all. So, kids, c'mon over to Pappy's...and take your chances. Oh, yeah...I will put in one jelly bean per trick or treat bag. It's my way of fighting the childhood obesity epidemic. Gad — speaking of vision problems — I'm blinded by the glow from my own altruism and public spirit!

Here are two stories that are oldies, but unlike the jelly beans, not moldies. They’re original art from Vault of Horror. They show the artists, Ghastly Graham Ingels and Jack Davis, at the very top of their profession. I've complained about text-heavy comic books before, and that's true of these stories. They're very wordy. But the artwork...gasp! Choke! Good Lord!

“We Ain't Got No Body!” is from Vault of Horror #28, and “Tombs-Day” appeared in Vault of Horror #35. The scans were made by Heritage Auctions, and it was from their website that I shamelessly lifted them. I give all the credit to them for the sharp scans.















************

This would be a good time to echo what my friend Chuck Wells at Comic Book Catacombs has recommended, the first issue of Craig Yoe's and Steve “Karswell” Banes' Haunted Horror. I'm doing this sight unseen, because I respect both those guys, and know first hand the quality they are known for.

Buy it!
More about

Người đăng: vanmai yeu em on Thứ Sáu, 10 tháng 2, 2012


Number 1103


Gangster and Gothic Ghastly


I've shown stories from different eras of "Ghastly" Graham Ingels' career, including a Western (Pappy's #707) and a love story (Pappy's #712.) But today I'm showing a 1948 crime story, and then a fine 1952 example of Ingels' gothic art for the EC horror comics.

Major differences in the stories are the violence levels in the artwork. In the EC story the violence is toned down. The rat-killings are shown just before the kill, and the retribution of the king and queen's subjects is told in the captions, yet the drawings are camouflaged by coloring and silhouette. The last panel of the royal couple writhing is more slapstick than gruesome, until you read of their fate in the caption. On the other hand, in "Spanish John" we see a couple of graphic knifings (one through the arm, another through the neck), some shootings, including a cop, and the dying Spanish John, bleeding on a tombstone.

Ingels drew some ghastly things in his career (hence his nickname), but I believe it was his ability to evoke mood that made his work so special. Mood is mostly missing from "Spanish John." It's well drawn, but not as effective in pushing its knife-like point as "A Grim Fairy Tale."

From Underworld #4 (1948):







From Vault of Horror #27 (1952):







More about

Người đăng: vanmai yeu em on Chủ Nhật, 28 tháng 8, 2011



Number 1007





Dead men--and women--tell no tales





Saddle Justice was an EC Comics entry into the field of Western-themed comic books, before they got into the New Trend comics that would make them infamous.



I like the alliterative titles of these stories, and the female protagonists, both of whom are as rough-and-tumble, if not more so, than the men they go up against. Johnny Craig did "The Lady Longrider" and Graham Ingels drew "The Grinning Gun Girl," setting the mood on the first page with the symbolic skull.



[SPOILER ALERT] The lessons of "Gun Girl" are muddled, especially in the last three panels when the law closes in. The posse decides to shoot down psychotic Sally "in cold blood" because it's the "only way we can stop her from killing more people!" The sheriff would rather "take her in alive. . .[but] no sense in running any more risk with a killer like her!" so they shoot her. As she lays dead the sheriff moralizes, "Reckon she was a bad one...human life didn't mean a thing to her it seems!" That's because even in death she has her grin and after shooting her in cold blood, he says, "See, she's still grinning! Sure was cold-blooded...even about her own death!" The code of the West in action! Another crime comics ending, where the law is just as brutal as the criminals they are chasing.



From Saddle Justice #6, 1949:





































More about