Hiển thị các bài đăng có nhãn Vault of Horror. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Vault of Horror. Hiển thị tất cả bài đăng

Number 1254: Horrors! It's Halloween!

Người đăng: vanmai yeu em on Thứ Tư, 31 tháng 10, 2012

Today is Halloween, and my one bag of jelly beans is ready to parcel out to the trick or treaters, one jelly bean at a time. I found the jelly beans in a drawer in the basement, so they are several years old. When I poured them into a bowl I noticed some of them were moldy. Nice guy that I am I picked out the worst of them. But my eyes, fried from sitting in front of a computer monitor all day, probably didn't detect them all. So, kids, c'mon over to Pappy's...and take your chances. Oh, yeah...I will put in one jelly bean per trick or treat bag. It's my way of fighting the childhood obesity epidemic. Gad — speaking of vision problems — I'm blinded by the glow from my own altruism and public spirit!

Here are two stories that are oldies, but unlike the jelly beans, not moldies. They’re original art from Vault of Horror. They show the artists, Ghastly Graham Ingels and Jack Davis, at the very top of their profession. I've complained about text-heavy comic books before, and that's true of these stories. They're very wordy. But the artwork...gasp! Choke! Good Lord!

“We Ain't Got No Body!” is from Vault of Horror #28, and “Tombs-Day” appeared in Vault of Horror #35. The scans were made by Heritage Auctions, and it was from their website that I shamelessly lifted them. I give all the credit to them for the sharp scans.















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This would be a good time to echo what my friend Chuck Wells at Comic Book Catacombs has recommended, the first issue of Craig Yoe's and Steve “Karswell” Banes' Haunted Horror. I'm doing this sight unseen, because I respect both those guys, and know first hand the quality they are known for.

Buy it!
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Người đăng: vanmai yeu em on Thứ Sáu, 10 tháng 2, 2012


Number 1103


Gangster and Gothic Ghastly


I've shown stories from different eras of "Ghastly" Graham Ingels' career, including a Western (Pappy's #707) and a love story (Pappy's #712.) But today I'm showing a 1948 crime story, and then a fine 1952 example of Ingels' gothic art for the EC horror comics.

Major differences in the stories are the violence levels in the artwork. In the EC story the violence is toned down. The rat-killings are shown just before the kill, and the retribution of the king and queen's subjects is told in the captions, yet the drawings are camouflaged by coloring and silhouette. The last panel of the royal couple writhing is more slapstick than gruesome, until you read of their fate in the caption. On the other hand, in "Spanish John" we see a couple of graphic knifings (one through the arm, another through the neck), some shootings, including a cop, and the dying Spanish John, bleeding on a tombstone.

Ingels drew some ghastly things in his career (hence his nickname), but I believe it was his ability to evoke mood that made his work so special. Mood is mostly missing from "Spanish John." It's well drawn, but not as effective in pushing its knife-like point as "A Grim Fairy Tale."

From Underworld #4 (1948):







From Vault of Horror #27 (1952):







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Người đăng: vanmai yeu em on Thứ Bảy, 31 tháng 10, 2009


Number 620


Halloween tales of sex and death


It's a special Halloween edition of Pappy's today, featuring two of my favorite all-time subjects, sex, as in illicit and otherwise not normal, and death, as in dead people up and walking around, looking for that aforementioned sex.

What better way to remember deceased loved ones than to have them coming in the door at midnight stinking of decomposition, rotting flesh dripping from their bones, maggots crawling from their eyesockets, looking for a little lovin'! Works for me!

First up is a tender tale of unrequited love from Twisted Tales #1, written by Bruce Jones and drawn by the incredible Alfredo Alcala. Then a story of a love worth waiting for, even after death! It's drawn by Good ol' Ghastly Graham Ingels from Vault of Horror #19. The original art scans are taken from the Heritage Auctions site.

















Bonus!

From Creepy #3, a 1965 Joe Orlando-drawn tale of morbid revenge that fits into our theme. This seems like Horror Comics 101: husband killed by wife and her lover, then returns from grave. It's written by Arthur Porges, an author who wrote hundreds of stories over the years that appeared in mystery magazines like Alfred Hitchcock's, etc. He was very prolific. So what was he doing writing a pseudo-EC Comics story for Creepy, when Archie Goodwin is credited for all other stories in the magazine? Damned if I know!

I believe it was Porges' only story for Creepy. I wonder why he named the cuckolded husband Arthur, after himself...?













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