Hiển thị các bài đăng có nhãn Action Comics. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Action Comics. Hiển thị tất cả bài đăng

Super-Swipes #7: The Olympics

Người đăng: vanmai yeu em on Thứ Hai, 21 tháng 2, 2011

As I have mentioned in the past, Mort Weisinger operated on the assumption that his readership turned over completely every seven years, and so he had little compunction about swiping stories from that long ago. Here's an example that fits the time pattern precisely:


Action #220 is the September 1956 issue, while Action #304 is the September 1963 issue. Note in particular that in the earlier story, DC was capitalizing on a current event, as 1956 was an Olympic year, while in 1963 the games were a full year away.

The stories are very similar as you can see from these opening panels:


On the next page, things do diverge a bit; in Action #304, Lana Lang happens along in her helicopter and is pulled into space along with Superman, whereas in Action #220 Superman travels alone. There turns out to be an important reason for this difference.

In both stories, a scientist from an alien world has sent out the attraction ray to bring Superman to his planet for the Interplanetary Olympics. In both stories, the prize is the same:


That's rather interesting in that one of the promises of nuclear power back in the 1950s was that it was supposed to be ridiculously inexpensive; in fact the claim was that it would be too cheap to bother metering. That certainly didn't prove to be the case.

In both stories, Superman performs very poorly:


But Weisinger (and writer Leo Dorfman) do have a substantial change in Action #304 to the Action #220 ending (tentatively credited at the GCD to Edmond Hamilton). In the original, Superman discovers that the top contestant, Bronno, is a robot, and that the reason for his own weakness in the stadium is that a block of Kryptonite was used in its construction.

In the revised version, Superman was intentionally losing, because he caught onto the fact that the games were rigged. It turns out that the contestants and the scientist who had brought him to the alien world were actually crooks, hoping to tap Superman's powers and use them to evade the law. Naturally, Superman didn't intend to help them, and in fact the story ends with the interplanetary police arresting the trio.

This also reveals why Lana was brought along with him. In the original, Superman was puzzled by his own weakness, but with the revised ending Lana had to be the one expressing surprise. Note in particular that in the panel where Superman's climbing out of the water, that he carefully avoids lying. "I'm doing what I can," not "I'm doing the best that I can."
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Action Comics #894

Người đăng: vanmai yeu em on Thứ Sáu, 26 tháng 11, 2010


Action Comics #894
Dec 2010 | 33 pages | CBR | 19.1 MB
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Action Comics #893

Người đăng: vanmai yeu em on Thứ Bảy, 9 tháng 10, 2010


Action Comics #893
Nov 2010 | 39 pages | CBR | 18.6 MB
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Người đăng: vanmai yeu em on Chủ Nhật, 25 tháng 7, 2010


Number 778


Americommando and the Little One


Americommando was a character in his third incarnation: He had been Tex Thomson from Action Comics #1 to #33; he was Mr. America until #54, and then none other than President Roosevelt sent him to commando school and he became Americommando.

Created and drawn by Bernard Baily, an artist working in comics since their earliest days, and also co-creator of Hourman and Spectre. His villain in these consecutive stories from 1943, Action Comics #57 and #58, is a grotesque character, half Japanese and half Prussian...and wow, you couldn't get much more villainous than that combination in those dark days of World War II. (As always, these racist caricatures can be painful to look at with modern sensibilities, and all I can say is they were created in a different time.)

Americommando didn't last out the war, losing his position in Action by #74 in 1944. Baily went on to be an editor, writer, artist and publisher, and eventually ended up back at DC Comics. He died at age 80 in 1996.

















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Action Comics #890

Người đăng: vanmai yeu em on Thứ Ba, 13 tháng 7, 2010


Action Comics #890
CRZ | 31 pages | Aug 2010 | 23.3 MB
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The Other Supermen Era At Action Comics

Người đăng: vanmai yeu em on Thứ Tư, 28 tháng 4, 2010

I happened to be flipping through some old Action issues today and noticed this trend. In Action #254-255 we have the first appearance of the adult Bizarro Superman. In Action #256, we see the Superman of the future. In Action #257, Clark Kent becomes a "second" Superman:

In #258, Superman encounters Cosmic Man:

Who turns out to be a robot. In Action #259, the other Superman is Superboy:

After a few issues off (#260-262), the Bizarros return for another two-parter in #263-264. It's Hyper-Man's turn in Action #265:

Then in #267-268, there's a two parter featuring a Superman of the past:

After that, the stories mostly get back to normal, but it's striking that there were so many tales with a similar theme over the course of about a year and a half.
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Action #314

Người đăng: vanmai yeu em on Thứ Hai, 8 tháng 3, 2010



This is one of the few Action issues from around this era that I didn't have in my collection until recently, and all I can say is, good Lord, I didn't know what I was missing. It starts with Aquaman and a few other JLA members signaling Superman to visit them on a remote island, where we learn:

Of course, Jor-El sent dozens of such messages to Superman during the Silver Age; indeed it would be a chore to catalog them all. At any rate, Jor-El wants to tell his son how Earth was chosen for his new home. It turned out that there were six possible worlds he could be sent to. Fortunately, one of Jor-El's friend has a future predictor:

It turns out that on the first world of Xann, he would be tiny compared to the other inhabitants, although he would retain his super-powers. Jor-El decides not to send him to Xann, because there he'd have nobody to marry. The second world, Valair, has no land, only water, and Kal-El's unhappy living his life under the seas. The third world has a red sun, so Kal would not have any super-powers there, but he does learn to compensate:

But he finds that some of the natives want to use his arrow-inventions for evil and leaves society to live on his own. Obviously that world is out. On the next one, it's always night and Kal-El takes on a lawman role:

On the penultimate world, Superman's adoptive father invents a ray that would give him super-speed, but the scene shown on the cover occurs when he gets a little too enthusiastic about trying out his powers. So Earth it is:

Comments: A silly story, obviously set up to deliver that surprise at the end where we realize that Superman would have been a one-man JLA. It does leave me feeling a little sad that he didn't end up getting sent to the planet of Amazonia, where he could have become Wonder Woman with the aid of a gender-transforming ray invented by his adoptive mom. ;)

But it is in the Supergirl story that things really get wacky. Remember, when Supergirl originally arrived on Earth, her parents had supposedly died when meteors struck Argo City. However, in Action #309, it was revealed that they had survived by beaming themselves into the Survival Zone, a dimension much like the Phantom Zone. Zor-El and Allura decided that they wanted to live among their fellow Kryptonians in the bottle city of Kandor, while Supergirl remained on Earth with the Danvers. However, all was not well:

As you can probably guess, she's heart-sick for her daughter, who never visits, never calls. Then one day:

So you can see she's gone completely mentally unstable. The authorities take back the android, without apparently considering that maybe, just maybe, they could make a similar doll for Allura that would ease her pain. They decide to contact Supergirl, but as it happens, she's out and the Danvers receive the call. Realizing that Allura's health is more important than their love for their adopted daughter, they decide to, wait for it, practice mental cruelty on Supergirl so that she will rejoin her natural parents. No, I'm not kidding:



But eventually Kara overhears the Danvers tearfully discussing how hard it is to be so mean to their daughter and discovers the reason why they've been treating her badly. She visits Kandor and suggests that she should stay their permanently, but apparently Mom realizes Earth needs its Supergirl. The only solution is for the Danvers to move to Kandor while the exchange ray brings out Zor-El and Allura. At first this looks like a great solution, as Supergirl's parents can join her in protecting Earth. But what of the Danvers?

The Chief Healer comes up with a solution:

The story ends as a cliff-hanger; will Supergirl's parents be happy on Earth? Can the Danvers find love in their heart for Dar-Lin?

Comments: Wow, what a wild story. I confess that I always enjoy these psychological dramas more than the run-of-the-mill secret identity stories, but this tale was completely wacked-out.
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Action Comics #886

Người đăng: vanmai yeu em on Thứ Năm, 4 tháng 3, 2010


Action Comics #886
CBR | March 2010 | 35 Pages | 26.2 MB
Nightwing and Flamebird race the clock to capture Jax-Ur, the most dangerous of Zod's sleeper agents. And in the Captain Atom co-feature, our hero explores the horrors of his past with the help of Mon-El and Starfire! Written by Greg Rucka and Eric Trautmann; co-feature written by James Robinson and James Rucka; Art by Pere Perez; co-feature art by CAFU

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Action Comics #885

Người đăng: vanmai yeu em on Thứ Năm, 11 tháng 2, 2010


Action Comics #885
CBR | Jan 2010 | 29 Pages | 23.9 MB
With a new lease on life, Nightwing and Flamebird return to Metropolis determined to hunt down one of General Zod's few remaining sleeper agents. Continued in SUPERMAN #696! And in the co-feature, Captain Atom is back on Earth, but his struggle to break his ties with Mirabai and Project 7734 aren't over yet. Guest-starring Metropolis's own super-powered protector, Mon-El! And check out the connecting cover art on these two issues! Written by: Greg Rucka, Eric Trautmann & James Robinson; Art by: Pere Perez

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Người đăng: vanmai yeu em on Chủ Nhật, 11 tháng 10, 2009


Number 608



Vigilante and the Dummy X 2


Ventriloquist's dummies are a cliché in horror stories. They're weird looking caricatures of humans, and voices come out of their mouths. One of Vigilante's enemies is a guy who looks like a ventriloquist's dummy. How weird is that? I guess it depends on how spooked you are by ventriloquists' dummies.

The Vigilante is Greg Sanders, who is a radio star, a singing cowboy. His partner is Stuff, also known as the Chinatown Kid.

These two stories are from Action Comics. "Blunderbuss Booty" is from Action #75, August 1944, and "The Dummy Art Expert" is from Action #87, August 1945. They're drawn by Mort Meskin, an artist who mentored the young Joe Kubert, and if the story is to be believed, influenced the young Steve Ditko. I like Meskin's use of blacks, which give the stories a deep, shadowy look.

Meskin was a comic book pro for many years until quitting in 1965 to go into advertising. He retired in the '80s and died in 1995. I'd consider him to be a pro's pro...an artist that other artists looked to for inspiration. The scans are from tearsheets I got in the late '70s. They're ragged and brittle around the edges so there are chunks missing here and there.

I have presented some other Vigilante stories, in Pappy's #406, and Pappy's #463.






















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