Hiển thị các bài đăng có nhãn Victor Fox. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Victor Fox. Hiển thị tất cả bài đăng

Người đăng: vanmai yeu em on Chủ Nhật, 2 tháng 10, 2011


Number 1027


The Lady and the Beetle


Comic book publisher Victor Fox had a reputation for being a sharpy in business. Fox went with trends like crime, jungle and love and despite the woeful company management Fox Features made their comics interesting--and sleazy--to attract readers. They went out of business, anyway. Being a sharpy has a way of coming back on a businessman.

Phantom Lady was an established character with Quality Comics, created by the Eisner-Iger studio. To make a long story short--because the Phantom Lady's history with different publishers needs a genealogy chart to make sense--Phantom Lady was published by Fox when Jerry Iger's shop was producing comics for them, including eight issues of Phantom Lady, just before the demise of Fox Features publications. The numbering began with #13, so these two stories are from the first issue.

Matt Baker signed the artwork on the Phantom Lady story, but the Blue Beetle strip is signed Otis. I see occasional flashes of Baker in the Blue Beetle artwork--a couple of faces and some poses here and there--but it looks to me as if more than one, and maybe more than two artists worked over the strip. Since the inking looks consistent I'm guessing one artist inked the whole mess to give it some sort of cohesiveness.

The proportions were changed on the Phantom Lady strip. It was originally shorter, so artwork was added to the tops of the panels. Why was it drawn that way originally? I dunno.

From Phantom Lady #13, 1947:

















More about

Người đăng: vanmai yeu em on Thứ Hai, 9 tháng 8, 2010


Number 787


Crime Does Pay Week: Charlie Birger and the Birger-Shelton War


This is day two of Pappy's Crime Does Pay Week.

According to the Grand Comics Database this ultra-violent example of the art of the crime comic is drawn by a young Gil Kane, published in Murder Incorporated #1, in 1948. Victor Fox was the publisher, and his books of this era almost single-handedly define sleaze.

As for the actual comic book, the story has some element of truth; there was a Charlie Birger, and he did have a war with beer rivals, the Shelton brothers, in Illinois during Prohibition. They did use armored cars, and did use a plane for an aerial attack. Something not told in the story (nor told in another version in Atlas' All True Crime #28, from later in 1948, either) is that before they went to war, Birger and Shelton were partners in the beer biz during a time the Ku Klux Klan was heavily involved in the area. The KKK had decided Prohibition was a good thing. It was so lawless there that KKK members would go into private homes looking for alcohol, and take offenders to a special Klan jail! Between Birger and Shelton they managed to push the Klan out of the area, maybe the only time in the sorry history of the sorry-ass Klan that the tables were turned.

The cover of Murder Incorporated #1, artwork attributed to John Forte, has a cover slug that says For Adults Only. How much do you think that mattered when a kid handed over his dime?













More about