Hiển thị các bài đăng có nhãn Joe Sinnott. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Joe Sinnott. Hiển thị tất cả bài đăng

Number 1522: “And now, the Beatles!”

Người đăng: vanmai yeu em on Chủ Nhật, 9 tháng 2, 2014

Incredible. It is fifty years ago today, Sunday, February 9, 1964, that my brother and I watched the American television debut of the Beatles. It seems incredible that it has been a half century, because unlike my brother and me the music has never grown old.

To commemorate that occasion I'm showing 20 pages from the Dell Giant, The Beatles, which came out during that giddy initial period of Beatlemania. The Beatles story is somewhat cleaned up (perfect for Joe Sinnott’s drawing), but yeah, yeah, yeah,  it is what we were being told about the group when the Beatles first came to the United States.





















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Người đăng: vanmai yeu em on Thứ Sáu, 9 tháng 12, 2011


Number 1067


John Lennon by Joe Sinnott


Counting back—holy cow!—can it really have been 31 years since John Lennon was murdered? I remember that day, December 8, 1980 because like many others of my generation I thought of the Beatles in a very personal way. By having his life cut short Lennon's image forevermore is of a young man, but I always think what might have been, what he would have been capable of musically had he lived.

In 1964 my brother and I were just the right age to become Beatles fans, just as caught up in Beatlemania as everyone else. When this Dell Giant Comic with the Beatles story came out we pounced on it, read every word. Even then I saw it as something of a whitewash; I'd seen the pictures of the Beatles in Germany wearing leather jackets and greasy pompadours, so they weren't as simon-pure as the comic book showed. I liked it anyway. After all, Joe Sinnott was one of my favorite Marvel Comics artists, who did such beautiful work with Jack Kirby's pencils. I'd seen many jobs by Joe as a solo artist, and thought he was perfect for this comic.

Joe's professionalism comes out in every panel, whether he traced publicity photos or not. I don't remember if pictures of John's wife, Cynthia, were available at the time, but in the comic book version she looks a bit generic.*








*I got a laugh out of the panel on page 3, "How about a flick tonight, Cynthia?" Comic books usually avoided the use of the word flick because the "L" and "I" could be run together to make a "U". Even in 1964 my mind provided that word in that panel. Ho-ho.
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Người đăng: vanmai yeu em on Thứ Tư, 21 tháng 7, 2010


Number 776



The point of the Arrowhead



Arrowhead, an Atlas comic drawn for four issues by Joe Sinnott in 1954, makes the lead character sympathetic. Native Americans just weren't treated well in popular media for a couple of hundred years, so I find this kind of refreshing. That's not to say there isn't melodrama, because there's that a'plenty. Arrowhead is on a quest to kick white men's asses, even though among with the usual bigots there are a few decent ones. He finds a family of good white folks in the second story below.

I showed the first Arrowhead story in Pappy's #573. These two stories make up the balance of Arrowhead's adventures in issue #1.






















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Người đăng: vanmai yeu em on Thứ Sáu, 11 tháng 9, 2009


Number 591


Mr. Mordeaux


"The Last of Mr. Mordeaux" is a nifty little Atlas horror story originally published in Astonishing #11, 1952. The story is Lovecraftian: the main character has a weird genetic defect, bulging eyes and no eyebrows, and he has family secrets that involve otherworldly critters coming out to grab him...

It's drawn by Joe Sinnott and that qualifies it as worth a look.

I scanned this from one of the Marvel reprint comics of the mid-'70s, but it was so long ago I've forgotten which one.





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Người đăng: vanmai yeu em on Thứ Hai, 10 tháng 8, 2009


Number 573


Arrowhead


Arrowhead is the name of a 1953 movie starring Charlton Heston and Jack Palance. Arrowhead is the name of a 1954 comic book from Atlas which ran four issues, and apparently had nothing in common with the movie except the title and an Indian character.

A sympathetic Indian character at that. Reading this issue I see that the writer did some research into Indian life, and while there are the usual melodramatics familiar to every Western, it's actually quite good.

Joe Sinnott, one of my favorite Atlas artists, did the art chores for all four issues of Arrowhead.







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