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vanmai yeu em on Thứ Tư, 19 tháng 12, 2012
Reed Crandall demonstrates once again how illustrative comic art was done. I'm not saying other artists didn't share the gift of how to draw, and draw comic books, but Crandall had some sort of special mojo. He could draw anything in the Quality Comics line, and with his Captain Daring feature the headliner of Buccaneers, showed that historicals were also well within his considerable artistic abilities.
Despite that, Buccaneers, where this story appeared in #22 (1950) didn't last for long. No comic book featuring pirates ever did, although attempts were made. Buccaneers, Pirates from Hillman, and Piracy from EC, for all their exotic trappings, just didn't have staying power. And it's kind of odd, too, because pirates have been a popular subject in other media, especially movies. Captain Daring himself is taken from Erroll Flynn in Captain Blood. Buccaneers should've had easy sailin' in the crowded comic book waters, but instead was scuttled and sunk.
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vanmai yeu em on Chủ Nhật, 4 tháng 4, 2010
Number 713
Reed Crandall and the speed lines
I've been looking at Reed Crandall's artwork for over five decades, and for me it's instantly recognizable by the action poses he drew. Sometimes the characters look to be in suspended animation or a diorama. Comparing any other artist to Jack Kirby is unfair, because hardly anyone ever rose to his level of action art, but while Kirby's characters seem to be in a blur of motion, frozen at an instant as if by a high speed camera, Crandall's characters often appear as if they have just struck a pose for the artist.
I'm not knocking Crandall...it's his artistic style, and as evidenced by this excellent 1951 Captain Daring strip from Quality's Buccaneers #27, he drew everything very well. Taking on a strip about pirates would involve researching clothing styles, ships, cities and places of the early 18th Century, and would be a lot more work than drawing a routine private eye strip like Ken Shannon, and probably for the same page rate.
Crandall didn't use the comic artist's conventional speed lines. When most artists showed a punch being thrown, pen lines would be drawn to show where the fist started its arc, with a big starburst at the point of impact.*
Artists drew that way for so long that they and their readers accepted it as part of comics' visual shorthand. Crandall reserved the speed lines for panels where he had no other way to explain the action. Page 6 of this story has a couple of examples, where Crandall used the lines to show the arcs of the sabers in order to explain the results of their swings.
Action poses are a great tell when looking for a particular artist's style.
This was the last of the Captain Daring strips. As good as it was, pirates just didn't last long in comic books. The first Captain Daring story I showed in Pappy's #595.
*In early Kirby Captain America strips the head would sometimes be replaced by that starburst, to show an especially brutal impact.
This story, introducing Erroll Flynn lookalike Captain Daring from Quality Comics' Buccaneers #19 (actually #1), 1950, has plenty of pirate talk. Sometime in conversation tomorrow introduce the phrase, "...he'll carbanado that rash rogue!" or, "Rake that line of louts at the bulwark..." and you'll out-talk all of the piratical poseurs doing their bad imitations of Robert Newton as Long John Silver.
Buccaneers was one of a couple of titles which used the piracy theme. Others included Pirates from Hillman Publications, which lasted four issues, and Piracy from EC which lasted seven before going down with the good ship EC, sunk by the scalawag privateer Dr. Fredric Wertham. Piracy is a popular subject; just witness the Pirates Of the Caribbean movie trilogy; but in comic books it has had a short life span. Not for lack of trying though.
Captain Daring is drawn by the great Reed Crandall, and keelhaul me, then hang me from the nearest yardarm if it be not true, yarrrr.
