Hiển thị các bài đăng có nhãn Rudi Palais. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Rudi Palais. Hiển thị tất cả bài đăng

Người đăng: vanmai yeu em on Thứ Hai, 25 tháng 4, 2011


Number 936


Grim Paree


Looking through some old crime comics I noticed that stories of Parisian criminals looked back at me from three of the five comics I leafed through. What was it about Paris that incited writers of crime comic books? France had been liberated from the Nazis just a couple of years before, yet there is no mention of war in any of the stories. Crime in any country is much the same as any other country, and god knows the USA has enough crime of its own. But Paris, to those comic book scripters of 60+ years ago, must've been a very exotic place, full of people who wore neckerchiefs, and exclaimed "Parbleu!" or "Sacre bleu!" They had the bleus in Paree in those days...

From Crime and Punishment #2, 1948 comes "The Plague Of Paris," illustrated by Fred Guardineer, he of the fastidious ink line. It is a reprint from its older sister magazine, Crime Does Not Pay #48, from 1946. And speaking of Crime Does Not Pay, Rudi Palais, his usual over-reliance on flying sweat drops missing from "The Blonde Queen of Crime," does the illustrative honors, picturing the blonde queen in fishnet stockings and her man in a beret, thus apprising us via such visualizations that yes, they are Frenchies! The story is from issue #39, 1945.

Our last story was drawn by Bob Butts, who signed his name R. Butts in the penultimate panel of page 7. I have featured the splash panel before in Pappy's #727, in my continuing quest to find all the swiped figures of what I call "Jeepers Girls."* The story, "Murders On The Rue Brevet," set in Paris in 1925 is from Pay-Off #1, a crime comic from 1948.
























*More Jeepers Girls here.
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Người đăng: vanmai yeu em on Thứ Sáu, 8 tháng 10, 2010


Number 821


Octoman is here!


Let it be stated now: I am not down with octopi. I am not a fan of slithery 8-armed critters from the depths of the seas. My parents took me to see the movie Beneath The 12-Mile Reef when I was a kid, and Robert Wagner fighting with an octopus made up my mind for me. I let the octos stay where they are, and I stay away from them. I can't even look at them in an aquarium.

So they spook me, especially when, as in "Arms Of Doom" from Harvey's Black Cat Mystery #32, 1952, they have googly cartoon eyes and are attached to a human body. Ugh. This disgustingly tentacled tale is drawn by the master of disgusting, Rudi Palais.








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Người đăng: vanmai yeu em on Thứ Hai, 22 tháng 3, 2010


Number 705


Killa Gorillers


Gorillas sell comic books. That was noticed many years ago by DC. If you think about it, DC had a lot of gorillas on the covers of their comics.* I'm not sure if anyone ever knew why gorillas sold comic books. Maybe they suspected, but didn't really want to know if there were bizarre fetishists out there with a thing for hairy apes.

Not me, of course...heh heh. But I do like gorilla stories and I'm not sure why. Maybe it's a primordial call back to the forests, a race memory of thumping my chest and swinging from branch to branch.

These aren't from DC, but here are four simian stories from other publishers. "Killer's Arms" is from Charlton's Strange Suspense Stories #22, 1954, "Violence," drawn by Sol Brodsky (?)** and Jack Abel is from Atlas' Mystery Tales #23, 1954, and "Phantom In the Flames," drawn by Rudi Palais, is from Harvey's Witches Tales #2, 1951.

Lastly, and justifiably leastly, we have a 3-page humor filler from Zoo Comics #9, done by an unidentified artist.


















*They even took a "great white hunter," Congo Bill, and turned him it into Congorilla.

**The Atlas Tales information website isn't quite sure on this one.


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