Hiển thị các bài đăng có nhãn John Celardo. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn John Celardo. Hiển thị tất cả bài đăng

Number 1510: Turok and Andar and lost world fantasy

Người đăng: vanmai yeu em on Chủ Nhật, 19 tháng 1, 2014


Turok and Andar, our Pre-Columbian Indian heroes, are men of their time period, and have weapons and skills of their time, primitive by our standards. The cavemen of the hidden valley, who might have been living there for centuries, have to be taught that simple technology. How did they survive in a world of giant predators, and how can men share space with dinosaurs, who predated them by many millions of years?

It is fiction so we just accept it. But cavemen and dinosaurs existing in a modern world, a lost world tale, was part of a genre of fantasy fiction. It set my mind to wondering as to who wrote the first lost world story with dinosaurs and/or prehistoric humans. I thought it must’ve been The Lost World by Arthur Conan Doyle, but with a little clicking around the Internet came up with this from Smithsonian Magazine: “Who Wrote the First Dinosaur Novel?”. It shows that the idea wasn't new even when Doyle wrote his work.

From Turok, Son of Stone #5 (1956), story by Gaylord DuBois, art attributed to Bob Correa with inks by John Celardo.

















**********

More Turok. Just click the thumbnail.




















 **********
TUROK AS A DINOSAUR RAMBO:

A week after this post appeared I was in a dollar store and picked up a two-pack of comics in a plastic bag labeled Super Hero Comic Book Spectacular. I was interested because I saw one of the titles was Valiant’s Turok Dinosaur Hunter #2 (1993). (Coincidences of all types happen often to me, but I don’t usually mention them because it seems self-serving, but they do happen.)

When these comics came out originally in the early '90s I ignored them. I saw they were an attempt to take a good character and turn it into a modern equivalent with hyper-violence and other mayhem. What I see here is not the lithe pre-Columbian Indian hero of the Dell Comics title, but some sort of Rambo-type with long hair and a machine gun.

I’m not dismissing the talent behind the comic, because the illustrations are well done, and the writing is along the lines of what was popular at the time. Despite that when this came out is just about the time I abandoned superheroes I had grown up with, as they became comics that looked like this.

 (This sort of cliché, the talking-through-clenched-teeth panel, makes me think of superhero as rage-filled psychotic doing damage to dentition.)

According to the Overstreet Comic Book Price Guide (the latest edition I have is #39), the new version of Turok had a fairly decent run until the late '90s, at which time it was gone again. I hope if someone else picks up the character they won’t do what Valiant did to the original concept, and that is to take the Turok who was a wise and strong hero in a strange world of prehistoric monsters, and turn him into a steroidal freak, looking like another type of monster.

More about

Number 755: Boris's horrors

Người đăng: vanmai yeu em on Thứ Tư, 16 tháng 6, 2010

John Celardo is yet another of the comic book men who came into the field early (in his case, 1937) and stayed for a long time. Celardo was born in 1918. His art is distinctive because of his facility with brush inking--even the thinnest lines are drawn with a brush--and his muscular characters. Celardo drew and inked the Tarzan newspaper strip for years.

In the '70s he was doing some stories for Gold Key. I found these two sprinkled in with the regular fare in Boris Karloff Tales of Mystery. "They Came From the Deep" is from BKTOM #32, 1970, and "Monster On My Back" is from BKTOM #39, 1972. (Note: Grand Comics Database does its qualifying thing when it can't quite decide, by giving a "?" after Celardo's name on this story. I'll go on record by saying I believe it's drawn by Celardo.)

"They Came From the Deep" was inspired by "The Monkey's Paw" by W. W. Jacobs, first published in 1903. "Monster On My Back" seems like an allegory for something. Choose your own. I think of a boss who was on my back for twenty years before my retirement.

The eerie cover for #32 is not credited in the Grand Comics Database and I don't know who painted it, but is another in a series of really strong painted covers on Gold Key comic books. Sometimes the comics themselves were disappointing, but the covers seldom were.
















More about