Hiển thị các bài đăng có nhãn Crack Comics. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Crack Comics. Hiển thị tất cả bài đăng

Người đăng: vanmai yeu em on Thứ Hai, 26 tháng 12, 2011


Number 1077


The Clock strikes!


Happy day after Christmas. I trust you had a nice one. I did. Today I'm being lazy, hanging around the house, my Christmas feast a pleasant memory, and the spirits imbibed now fading (the thumping in my brain is almost gone), my bloodshot eye looks to the wall behind my monitor. There is my vintage 1960 GE wall clock, and like me, still ticking. Let's hope for one more year of taking it one second at a time.

It reminds me of the stories I'm presenting on this Monday morning: the Clock by George E. Brenner. The Clock, as told in this article in Don Markstein's Toonopedia, is one of the oldest comic book heroes. He appeared in comics in 1936, before there was a real comic book industry. Here he is, early in his career, cover-featured on Detective Picture Stories #5, from 1937.

The two stories I'm showing today are two of the Clock's appearances in Crack Comics. They share some things in common: Brenner's static page layouts (common in comic books at the time), and despite being only nine issues apart, they use similar villains, gang leaders wearing hoods (common in pulp fiction, movie serials and at Ku Klux Klan rallies), and corrupt politicians (too common, even today).

George Brenner became editor of Quality Comics, which published Crack Comics, and the Clock stopped ticking in 1944.

From Crack Comics #1, 1940:







From Crack Comics #9, 1941:







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Người đăng: vanmai yeu em on Thứ Sáu, 21 tháng 1, 2011


Number 882


Black Condor


Day four--and final---of Superzeroes Week:

We started this week with Dynamic Man, a story drawn under the influence of artist Lou Fine.

Doing this posting seems a bit like sacrilege. When I entered comic fandom the work of Lou Fine was venerated. It was the comic book equivalent of Da Vinci or Michaelangelo. So what if some of the stories Fine drew were hopelessly dumb, like this origin story of the Black Condor from Crack Comics #1, 1940? He was LOU FINE. And he was part of the Will Eisner group of artists doing some of the very best artwork of that early era of comic books.

And I do admire the artwork, except when I read this story I'm struck by how bad this origin story is. And it's not just because it was written 70 years ago. I believe it was just as bad in 1940. Richard Grey Jr. is a foundling adopted by a Mama Condor. She feeds him. The idea of him swallowing regurgitated condor food, which is--urp! gag!--carrion (think of dead cattle, bloated and stinking). Revolting. The child grows up, but he takes a long time. Well, that's what humans do. We have a long childhood so our larger brains can develop. Dick seems determined to do what his fellow condors do, which is fly, so he uses that human brainpower to figure out air currents and such and pretty soon he's flying just like a condor.

I'm aware the Black Condor was revived, although I haven't read any of the modern stories.

What I can tell you about this origin story is a) the art by Lou Fine is very fine; b) the story is attributed to Will Eisner by the GCD, and I'm sorry Eisner fans, but it is stupid.









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Người đăng: vanmai yeu em on Thứ Sáu, 25 tháng 6, 2010



Number 760


Let's see Batman do this!


Madam Fatal is one of the most unique concepts in comics, especially 1940, when these two tales originally appeared. Madam Fatal was actually a man, a wealthy "retired actor" who spent his time dressed as a woman, chasing down the man who killed his wife and kidnapped his daughter. There's the crossdressing element that makes it seem titillating today. Or maybe not. Madam Fatal is an old "lady" after all. Despite its originality Madam Fatal as a feature didn't last long. There were a lot of comic books to fill and a lot of ideas for heroes that didn't work out, and Madam Fatal was one of them.

Underground cartoonist Kim Deitch did a hilarious take on Madam Fatal in Corn Fed Comics #1...but it's pornographic and I can't show it, much as I'd like to.

The stories are from Crack Comics #1 and #3, respectively, 1940, drawn by Art Pinajian.










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