Number 1498: The back-ups

These three well-drawn short stories, all from Police Comics #11 (1942), struck me for different reasons. The first, “Chic Carter,” has a swamp monster (or at least what appears to be). Something shambling out of a swamp, fake or not, gets my attention.

“Firebrand” was the first cover feature of Police Comics. He lost the position to Jack Cole’s Plastic Man. “The Mouthpiece” appears to be one more Spirit lookalike from the company that owned the Spirit. In addition to Spirit, who dressed in a suit and wore a mask, Quality had Midnight and the Mouthpiece. Are there any more blue-suited crimefighters with Lone Ranger masks from Quality I have missed?

Fred Guardineer, who drew the Mouthpiece, is responsible for the above head-spinning electric chair panel. Fred drew many a similar panel when he went to work for Charles Biro at Crime Does Not Pay. Lee Ames, who drew this episode of Firebrand, went on to a career which included book illustration and how-to-draw books. Vern Henkel, artist on the Chic Carter story, began his career by sending a story he wrote and drew to publisher “Busy” Arnold in the days when comic books were in the so-called Platinum Age.

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Number 460


Journeyman


I know you guys are here to read comics and not get preached to, but bear with me. Here's a PSA, a Pappy Service Announcement:

Last week I was diagnosed with prostate cancer. I don't want sympathy. It's a curable form of cancer, and because of my astute primary care physician and my habit of going to my doctor once a year, it was caught at an early stage. So while I have cancer right now, there's no reason to believe I will have it after my surgery in a couple of weeks, or that it will be what ultimately kills me. Here's my preaching, though: Because this blog is read mostly by males, I am advising if you are over 40 you have your prostate examined once a year. Most guys don't like the idea of a Digital Rectal Exam (DRE), but for a couple of seconds of inconvenience and indignity, your life may be saved.

So, now that I've had my say, we return to our regularly scheduled program...


Vern Henkel's artwork might not have been splashy, might have been derivative--in "The Man Who Made A Wish" the devil looks like he's swiped from Will Eisner--but the Golden Age of comics wouldn't have happened without artists like Henkel. They were the guys who weren't stars, who did all of the backup stuff, kept the comic book machine running.

Henkel, who was born in 1917, sent a comic book story unsolicited to Quality Comics publisher Everett "Busy" Arnold in the 1930s. Arnold accepted it and Henkel's comic book career began, right around the time the comic book industry began. Over the years there were dozens, maybe hundreds, of guys like Henkel, who were the journeymen of the business.

"The Man Who Made a Wish" is originally from Mystic #7, 1952, but scanned from the reprint in Marvel's 1974 Crypt of Shadows #8. "Captain Fortune" is from Feature Comics #26, November 1939.

I posted a crime story by Henkel in Pappy's #132.

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