Người đăng: vanmai yeu em on Thứ Sáu, 26 tháng 2, 2010


Number 691


Pre-Code/Post-Code


This is the final installment from Pappy's Science Fiction theme week.

The Comics Code was implemented in early 1955. By late 1954 some of the publishers of the period, like ACG and Atlas, seemed to be anticipating the Code by toning down their comics. The last pre-Code issue of ACG's Adventures Into the Unknown, #61, dated January-February 1955, dropped the horror themes that had carried it since the late 40s.

The lead story, "The World That Was," is drawn by Kenneth Landau. It was reprinted, as a Code-approved story, in 1960 in Forbidden Worlds #86 as "Interplanetary Episode." What struck me in comparing the two is that the original pre-Code version looks cleaned up...like they replaced parts of the story with more innocuous material, then put the worse stuff back in when they reprinted it under the Code. Yep, it's confusing all right, and seems to fly in the face of the evidence of other comics reprinting pre-Code stories much cleaned up by the Comics Code.

[SPOILER ALERT!] The story, in its second version, while more pathetic, brings more sense to the ending. Blowing up the world because Simon was accused of stealing a wallet seems mild compared to the reaction from the town when he was starving or his dog was killed. It's also not a story written by editor Richard E. Hughes. It wasn't his style to end a story in such a negative fashion. It's a head-scratcher why this particular story, of all the hundreds of ACG's stories published, was chosen to be reprinted.
















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Around the Horn

Người đăng: vanmai yeu em on Thứ Tư, 24 tháng 2, 2010

Collectors Weekly has a terrific interview with Greg Theakston regarding Golden Age Comics in general. I found this quirky aside fascinating:

You also had Captain Marvel and Captain Marvel Jr., who was Elvis’ favorite comic book hero. You know the emblem with Elvis’ motto, “Taking Care of Business” with the lightning bolt? Captain Marvel Jr. had a lightning bolt on his chest, plus a little Elvis-like curl of hair in the middle of his forehead. Elvis wore the jumpsuits with the high collar; Captain Marvel Jr. had a high collar. So while Jr. may not be as widely known as Captain Marvel himself, he had a profound effect on Elvis Presley.


Well worth the read. More fascinating discussion of DC's Golden Age era at Bill Jourdain's site in a podcast with the Comic Geek Speak guys.

Out of This World posts the entire Jackie Johnson story from Our Army At War #160. You may recall that I reviewed that issue back in January.

While we're on the topic of Our Army At War, Mykal posted the entirety of Our Army At War #120, featuring a pair of excellent stories including the origins of the Ice Cream Soldier, Wild Man, and Bulldozer. But it is the other story in that issue, a one-off tale featuring the Saucy Lady that really won my heart.

All's fair in Love and War, right? Jacque Nodell recently hosted a comics chatcast on the topic of Romance Comics, while Aaron from Silver Age Gold hosted one on his favorite comics. They are scheduled again on March 15 (Aaron) and March 16 (Jacque) at 8:00 PM eastern time, and this time I promise to remember to attend Aaron's.
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Number 690


Russ Heath and the Monster of Moog


Here's the 4th installment for Pappy's Science Fiction Week.

Russ Heath, born in 1926, is a comic art great whose career extended for decades. He did Westerns, horror, science fiction and in the '60s many war stories. Like Joe Kubert, who also worked for editor/writer Robert Kanigher at DC, Heath's artwork never faded in quality over a long career.

"Monster of Moog" (a planet, and not a synthesizer), and "The Strange Car" both appeared in Atlas Comics' Journey Into Unknown Worlds #36 (actually #1) in 1950.











A decade later Heath would work with Kanigher on Sea Devils, a comic book I really enjoyed. (Someday I may indulge myself and show you a story featuring the Sea Devils and Pappy the trained seal.) The covers, three of which I've included here, were exceptionally dramatic. Heath did the artwork and DC's chief production man, Jack Adler, did the gray tones, giving the covers a modeled effect.



Some great Russ Heath art from a 1962 DC war comic is here.

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Adventure #280

Người đăng: vanmai yeu em on Thứ Hai, 22 tháng 2, 2010



This story is symptomatic of one of the major problems with Superboy in the Silver Age. Characters that had been introduced in the Superman books often ended up appearing in Superboy, even though that appearance contradicted the Superman tales. Lex Luthor, who for years had bedeviled the Man of Tomorrow, turned out to have been the best friend (however briefly) of the Boy of Steel. Lois Lane and Mr Mxyptlk also appeared in the Superboy chronicles, so it was perhaps inevitable that Lori Lemaris would also pop up in Smallville eventually. Never mind that we had been assured in her first Superman story that she was a girlfriend of his during his college years at Metropolis U.

The story itself is a classically zany Silver Age tale. Superboy decides to help out a local "aquarium" (really an aquatic zoo) owner by bringing him terrific attractions like electric eels, sharks and a giant whale. Lori and her friends observe this from under the sea, and Lori lies a bit shamelessly:

It turns out that Lori is bored with Atlantis. BTW, those who think that there wasn't an explanation for the Lori Lemaris Atlanteans and the Aquaman contingent are wrong:

Lori decides to get Superboy to "rescue" her from a floating mine. When he does, she again indulges herself in a whopper:

But she trips herself up with a bit of "proof":

Of course, this was something of a cliche in the Silver Age; since BC means "Before Christ", nobody would have dated a coin 450 BC; that was the year applied after the birth of Jesus became considered a dividing point.

Lori explains that she wants to live outside the water, as a normal girl, and believes that Superboy will be able to accomplish this. He sets up the experiment, but Lana comes along:

The experiment will take 24 hours, during which time Superboy is away on a space mission. Lori is so confident the procedure will work, that she gets out of the water and drains it off. Bad move:

Say what? Smallville only a mile from the ocean? I guess we can rule out Kansas as the location of Superboy's hometown. Fortunately, Lana remembers that there's a pool inside the cave, and it turns out that the experiment was not to let her live on the land, but:

Still, how do we get to where Superboy and Lori have no memory of ever meeting before their college days? Lori's father goes to work:

Yep, he hypnotizes Superboy, Lori, and Lana into having no memory of the incident.

Comments: It's pretty obvious why this story has never been reprinted (as far as I know). The details are weird, the hypnotism bit makes little sense (except to get Weisinger out of the problem of explaining why the story contradicted Lori's first Superman appearance), and Lori's compulsive lying puts her in a bad light. On the other hand, there is a rare good bit of characterization for Lana Lang, as she saves Lori's life despite fearing that Superboy will prefer the mermaid.

The Congo Bill/Congorilla tale is a fairly pedestrian tale. Congo Bill is hit on the head, and when he changes into Congorilla, he does some oddball things, changing into characters from a nursery rhyme:

Rich man, poor man, beggarman, thief,
Doctor, lawyer, Indian chief.

The story was dusted off and reused a few years later in a Superman story in Action Comics.

The Aquaman story features Aquaman and Aqualad helping out with the TV show, Sea Chase. This is a reference to a popular syndicated TV show of the times called Sea Hunt, starring Lloyd Bridges and two of his sons, Jeff and Beau Bridges.

Update: Commenter Osgood Peabody points out that the story has just recently been reprinted in this volume:
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Number 689


Fox's rocket guys and gals...


Here's the third installment of Pappy's Science Fiction Week, rocketship stories from Fox Feature Syndicate comics of the 1940s.

"Perisphere Payne" is early, from the last issue of Science Comics #8, 1940. The Perisphere was a landmark from the 1939 World's Fair, so the comic wanted to tie him in. Perisphere flies solo, unlike Rocket Kelly and Rick Evans, who are flying threesomes. In those two strips they are crowded into the coupé front seat of the rocket. I can imagine the poor chicks in the middle complaining, "You guys, if you don't watch your damn elbows..."

Not to mention there are no ladies rooms on the rocketships.

Rocket Kelly #1, copyright by Fox, was published by Larkin, Roosevelt and Larkin, Publishers, in 1944. It's probable the company had a paper ration in those war years, and Fox paid them to use it. In 1945, after rationing was lifted, Rocket Kelly lasted another five issues under the Fox imprint. The story itself is an odd mix of science fiction and theology, with Satan (called "Diablo") coming to earth. In the real world of 1944 lots of people thought the devil was loose with wars going on simultaneously in Europe and the Pacific.

Rick Evans is from Zoot Comics #8, from 1947, and gets my vote for worst-looking rocket crew helmets ever. Artist is listed as Stan Ford, as Ted Small is credited with Rocket Kelly and Arnold Hardy for Perisphere Payne. As with all Fox comics, I'm not vouching for the accuracy of those credits.




























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