Người đăng: vanmai yeu em on Thứ Tư, 26 tháng 11, 2008


Number 420


Spacy Pussycat


Pussycat, Bill Ward's voluptuous agent of S.C.O.R.E., takes us around the world while she gets off...the planet, that is.

This is yet another classic from the 1968 one-shot, Pussycat, published by Marvel Comics. The stories are reprinted from men's magazines published by Martin Goodman, then Marvel Comics publisher.

Other episodes from this excellent book have been posted here, here, and here.

After you screw your eyeballs back into your heads, travel on over for more feline excitement with Killer Kittens From Beyond the Grave, an excellent blog presided over by Kitty LeClaw. You get to see Karswell, of The Horrors Of It All, starring in a splatter comic book, circa 1991. "Purrrrrr-fect," as Batman's sexy nemesis, Catwoman, used to say.





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#081.Indrajal Comics 35

Người đăng: vanmai yeu em on Thứ Ba, 25 tháng 11, 2008



233-1975-Phantom-The Golden Woods It was reprinted as V24N20-1987-Phantom-The Vicious Intruders.


Both are Ajay's contributions, english header of # 283 made by Ajnaabi and I cleaned these scans with help of Photo shop. Hope you will like.

Few more coming Indrajal Comics:

* Anurag's scans



* Ajay's scans


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The Best Silver: Batman #127's The Second Life of Batman

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Here's a story that's so far ahead of its time that I have to admit that I blinked a bit when reading it. There have been many "What If" stories over the years about Batman, but here's what surely must rank as the first:



Well, you can probably guess the single event that Bruce would like to not be affected by; the death of his parents. So Dr Nichols hooked him up to a machine that told him what his future life would have been like.

A side note: This appears to have been mirrored by a terrific Superman story that same month, in Superman #132, called Superman's Other Life.

As it happens, Thomas and Martha Wayne did not survive much longer than they had in Bruce's original life; we learn that they perished a few years before this story in an automobile accident. We see the dissolute lifestyle that Bruce would have led with his, um, merry chums:



Hilariously (and ingeniously) Bruce shows up as Superman. However the young playboys are distressed when a robber (dressed as Batman but called the Blue Bat) shows up. The real Superman arrives to save the day, but Bruce also helps out with his natural athletic ability.

When the Blue Bat's mob beats him up, Bruce decides to get revenge. He dons the Bat's costume and faces him down. And in the end he resolves:



That is just beautiful. In the early days, Batman often did that bit with the cape across the lower part of his face, a la Bela Lugosi in Dracula, but it had been years since it had been seen. It's just a minor detail, but great stories always get the minor details right. And check out the closing panel:



Wow. Art by Dick Sprang, Story by Bill Finger.  Note again the usual DC comics' inexorable nature of fate, in that Bruce's parents would still have died and Bruce would still become Batman.
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Random Issue Review: Daredevil #50

Người đăng: vanmai yeu em on Thứ Hai, 24 tháng 11, 2008



A very mediocre cover, with mediocre elements. The villain is big and green, and he's the only person doing anything dramatic (smashing a car). Daredevil is on his knees and holding his head, while a couple of bystanders are apparently shouting. Even the literary title is well below the mean: If In Battle I Fail--! Stan's not trying very hard with that one.

The story is a continuation from the previous issue, which is one of the problems with doing single issue reviews of Marvel Comics from the Silver Age. However, this was not an uncommon problem with collecting comics; sometimes I'd pick up an issue like this at a garage sale and not find the prior one for years (if ever).

DD is battling a robot (who is actually colored purple, not green) as we begin the story. Over the course of the story we learn what's going on both with the battle (a crook named Biggie Benson hired a robot-maker to destroy Daredevil) and with the soap opera (Foggy has been elected DA and Karen and Matt are on the splits again).

Daredevil succeeds in confusing the robot so it no longer remembers who is its target. It goes off in search of its maker, with DD in hot pursuit. Seeing DD, the maker tries desperately to load his picture into the "aromascope", which will target the robot again. But by accident, he loads Biggie Benson's photo instead. As the story ends, DD has broken into the jail but is wounded and largely incapacitated as the robot breaks in.

Comments: Not a great story; the robot is a pretty dull villain. The artwork is notably not by Gene Colan, DD's regular artist, but by a very young Barry Smith. Smith would go on to great fame in the 1970s for his work on Conan the Barbarian, but this is still early in his career and he had not yet developed his own unique style and indeed seems to be trying to imitate Colan. Smith did three issues of Daredevil (#s 50-52) and showed growth with every outing. Here's one dynamic sequence:



Solid work, but not yet the transcendent art we would get from Mr Smith in the next few years.
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Người đăng: vanmai yeu em



Number 419


Berried Treasure


Each Thursday, beginning next week, I'll be posting some Christmas-themed stories right up through Christmas Day. I haven't got it all set what I'm going to show you, but there will be some Walt Kelly magic. It wouldn't be Christmas at Pappy's without Kelly.

Here's a story from Pogo #8, 1953, featuring some of the younger characters, and full of Kelly's usual whimsical nonsense.

I'm also including the text piece from the issue. It's about a turkey, and this is the week for turkey. Check back on Thursday for the Third Annual Pappy's Turkey Award where I'll show the dumbest story I could find this year.










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Người đăng: vanmai yeu em on Chủ Nhật, 23 tháng 11, 2008


Number 418


Toth's Thunder


The headline of this posting has a double meaning; not only am I showing you a 12-page Johnny Thunder story from All American Western #108, 1949, but an opinion piece artist Alex Toth wrote 30 years later for Philippine Comics Revue Magazine #1. Never one to hide his displeasure, Toth rumbles forth like a force of nature with his views on the then-current state of comic book art.

The Johnny Thunder story was penciled by Toth, inked by Frank Giacoia and written by Robert Kanigher. In the postwar era, one of my favorite periods from the history of comics, there was a lot of talent. Toth had major talent and was also working with some gifted contemporaries at DC Comics. In 1979 when Toth threw down lightning bolts and shook the firmament with his thunderous opinions, you know he knew what he was talking about.














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Modern Masters Volume 18: John Romita Jr.

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Modern Masters Volume 18: John Romita Jr.
TwoMorrows Publishing | ISBN: 1893905950 | July 16, 2008 | 128 pages | CBZ | 61MB

Over the past thirty years, no other artist has had a more profound impact on the entire Marvel Comics franchise than John Romita, Jr. From teenage prodigy to full blown superstar illustrator, his impeccable storytelling and hardcore professionalism have made him a fan favorite. His gritty visuals and powerful tenacity for illustrating action have graced the pages of Amazing Spider-Man, Uncanny X-Men, Daredevil, and most of the company's other top-tier books over the course of his career. Like his father before him, nothing can stop this Modern Master from striving for the artistic perfection that makes the name Romita one of true royalty in the comics industry. This new book presents a career-spanning interview and discussion of JRJR s creative process, complete with both rare and unseen art, including an enormous gallery of commissioned work by one of the Modern Masters of comics! By George Khoury and Eric Nolen-Weathington.

Download HERE

Download HERE

It will be great, if someone can help me to find Volumes 19, 20, and 21
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