The June 1973 issue of Gold Key's Boris Karloff Tales of Mystery #47 is a full-on collection of four nicely illustrated, though somewhat harmless, freaky creature stories. Hairy transformations, slimy things from the deep, and this strange little tale of a merry-go-round featuring monsters instead of horses or the usual type wooden animals. It's nothing mind blowing or terrifying, just an interesting "spin" on the pre-code inspired, fitting twist ending I dig so much...
More about →
Home » All posts
Number 1466: Jurassic Tomahawk
Người đăng: vanmai yeu em
This past September I showed a story of frontier adventurers, Tomahawk and his young friend, Dan, fighting pirates. In Tomahawk’s era there would be a possibility he could meet a pirate...but not a dinosaur. Still, this story is about just that. Tomahawk and Dan wander into a lost valley full of prehistoric creatures.
When this story takes place (date given is 1769), dinosaurs had not yet been discovered as an extinct species. It would take another 80 years, according to “Early Dinosaur Discoveries in North America”, where it is said: “It is generally accepted that the first discovery of dinosaur remains in North America was made in 1854 by Ferdinand Vandiveer Hayden during his exploration of the upper Missouri River.” To be fair to the Tomahawk writer, one caption mentions dinosaurs, but Tomahawk never calls them that. Still, he does know that the giants are critters of another time.
It reminds me of the basic premise of Turok, Son of Stone. Turok and Andar were two pre-Columbian Indians who stumbled into the lost valley of dinosaurs, and couldn't find their way out. Who knows? Maybe it was the same valley.
From Star Spangled Comics #83 (1948). Drawn by Fred Ray.
More about →
When this story takes place (date given is 1769), dinosaurs had not yet been discovered as an extinct species. It would take another 80 years, according to “Early Dinosaur Discoveries in North America”, where it is said: “It is generally accepted that the first discovery of dinosaur remains in North America was made in 1854 by Ferdinand Vandiveer Hayden during his exploration of the upper Missouri River.” To be fair to the Tomahawk writer, one caption mentions dinosaurs, but Tomahawk never calls them that. Still, he does know that the giants are critters of another time.
It reminds me of the basic premise of Turok, Son of Stone. Turok and Andar were two pre-Columbian Indians who stumbled into the lost valley of dinosaurs, and couldn't find their way out. Who knows? Maybe it was the same valley.
From Star Spangled Comics #83 (1948). Drawn by Fred Ray.
**********
In later years Tomahawk encountered all kinds of crazy stuff: aliens, dinosaurs, supernatural creatures, etc. You can find an especially oddball Tomahawk story from the mid-'60s which I featured in 2010. Just click the picture.
Nhãn:
Fred Ray,
Star Spangled Comics,
Tomahawk
#649 - The just concluded Tarzan Sunday strip
Người đăng: vanmai yeu em on Chủ Nhật, 3 tháng 11, 2013
Number 1465: Jungle royalty
Người đăng: vanmai yeu em
Queen of the jungle and princess of the jungle are mighty highfalutin titles for women wearing abbreviated costumes and swinging through trees, wouldn’t you say? I guess it all started off with Tarzan, who was really England’s Lord Greystoke, and back home in Africa known as Lord of the Jungle. Sometime in the thirties when Sheena was created it sounded good to say “Sheena, Queen of the Jungle.” The name and title roll off the tongue. It wouldn’t sound right to have her called “Lady Sheena” or even a title like “Sheena, Duchess of the Jungle.” They just don’t have the same ring, do they?
So Sheena was queen and Taanda, who came along later and could not be queen because Sheena was queen, was the white princess of the jungle. I’ve got stories featuring both of these royal jungle gals today.
Sheena’s story is from Jumbo Comics #101 (1947), and Taanda is featured in a cover story from Avon’s White Princess of the Jungle #4 (1952). The Sheena art is by Robert Webb, the Taanda artist is unknown by the Grand Comics Database.
More about →
So Sheena was queen and Taanda, who came along later and could not be queen because Sheena was queen, was the white princess of the jungle. I’ve got stories featuring both of these royal jungle gals today.
Sheena’s story is from Jumbo Comics #101 (1947), and Taanda is featured in a cover story from Avon’s White Princess of the Jungle #4 (1952). The Sheena art is by Robert Webb, the Taanda artist is unknown by the Grand Comics Database.
Nhãn:
Avon Comics,
Fiction House,
Robert H. Webb,
Sheena,
Taanda
Halloween Nightmare!
Người đăng: vanmai yeu em on Thứ Bảy, 2 tháng 11, 2013
Who says Halloween is over? NEVER!!! We first showed you this one waaay back in 2007, but here it is again for those who missed the initial initiation-- from the April 1952 issue of Black Cat Mystery #34, art by Manny Stallman. And oh yes, if you missed my recent undead fumetti post of sex and vicious violence over at AEET recently then by all means click HERE! (ADULTS ONLY!!)
CLICK HERE!
More about →
CLICK HERE!
Number 1464: Tony Gayle’s underwater style
Người đăng: vanmai yeu em on Thứ Sáu, 1 tháng 11, 2013
When I first showed this story from Guns Against Gangsters #6 (1949) in 2006, I wrote the following about artist L. B. Cole:
“Toni” is Toni Gayle, the lead character for Guns Against Gangsters. Toni is a pin-up in the Bettie Page style. She is so stylish she can swim underwater and come up with dry hair.
And as for the cover, despite, or maybe because of, the silliness of fashion model Toni in high heels fighting a shark, I think it is one of the great covers of the Golden Age.
More about →
L. B. Cole drew, by his estimation, nearly 1,500 covers in his career. He was a decent artist on these inside continuity pages, but it’s for his covers he’s famous. His ability to make eye-catching poster-like covers sold an awful lot of otherwise mediocre comic books. Except for his loving renditions of sexy Toni, I don’t think there’s much else about this artwork that would send anyone’s pulse racing. But then, maybe that was enough for those readers in 1949 looking for a little something extra for their dime.
And as for the cover, despite, or maybe because of, the silliness of fashion model Toni in high heels fighting a shark, I think it is one of the great covers of the Golden Age.