Thor Prototype at DC?

Người đăng: vanmai yeu em on Thứ Sáu, 17 tháng 11, 2006

It's well-established that prototypes for many Marvel characters appeared in the horror mags the company specialized in prior to the release of Fantastic Four #1. But it also appears that Stan Lee wasn't above lifting a hero or two from his competitors as well. I had always known there was a Batman story featuring the Mighty Thor out there, what I did not realize is that it so clearly presaged Marvel's later character.

Here's the cover of the issue in question:



Let's trace the elements of similarity. Hammer flies back to him automatically? Check. Refers to his opponents as "mortals"? Check. Winged helmet? Check.



Secretly a meek, unassuming man? Changes back into Thor when he touches the hammer? Check, check.



Obviously there are dissimilarities as well; this Thor has red hair and a beard, and the man who changes into him has no memory of his Thor persona when he changes back. But overall, it's pretty obvious where Stan got the inspiration for one of his major characters of the Silver Age.
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Number 54


Frankenstein Friday: Silas Grunch Gets His


This is the first story from Frankenstein Comics #7, May-June, 1947.
The thing that strikes me the most when looking at this story is how hurried the artwork looks. It doesn't have the careful penciling and inking that characterized the earlier Frankenstein stories. At this point it was reputed that writer/artist Dick Briefer was producing so much so quickly that he was even drawing on the back of wallpaper in order to get his work done.

He also gives credit in the final panel to Ed Goggin for helping with these tales. I'm not sure what kind of help Goggin gave. Story? Artwork? Briefer doesn't say.
The story of an old miser who hates kids and gets his just due in the end sure wasn't new when this story was published. I think it was the basis for several movies, even some Our Gang short comedies. It was something of a plot staple in those days. Its literary antecedents can be found in A Christmas Carol and Silas Marner. Misers have always been popular to hate.












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Người đăng: vanmai yeu em on Thứ Hai, 13 tháng 11, 2006


Number 53

Kirby's Krime Komics



This story by Jack Kirby appeared in Frankenstein#7, May-June, 1947. Stories like this were published in various comics of the Prize line as a promo for Headline Comics, which featured crime comics drawn by the Simon and Kirby team.

Kirby had a varied career in comics, but he's best known for his superhero comics, especially in the 1940s and 1960s, with characters like Captain America and The Fantastic Four. But Kirby could draw anything, and he did. He did crime comics, horror comics, action/adventure, mysteries, westerns, even some funny animals. He may be the most versatile artist in the history of comics, with one of the most identifiable styles.

His hallmark was action, and this story has that. Check out the slugfests, which are typical Kirby bashes, bodies in extreme and dynamic motion, with lightning fists, done in all the types of comics he drew.

It's also interesting because Kirby drew himself as a character in the story.

This story was also reprinted in the book, The Complete Jack Kirby March-May 1947, from Greg Theakston of Pure Imagination in 1998. Greg did a wonderful job taking the color out of the stories and reprinting them in black and white. Some of these stories are obscure, and probably wouldn't be seen by Golden Age comics fans unless he'd taken it upon himself to reprint them. If you have a chance to get any of the books in Pure Imagination's The Complete Jack Kirby
series, do it. This particular book is one of my favorites from that series.










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Batman II & Robin II.

Người đăng: vanmai yeu em on Chủ Nhật, 12 tháng 11, 2006

Although Batman did not have imaginary stories per se in his comics, there were many stories that served the same function--dream stories, most notably. Along the same lines were the Batman II and Robin II stories. They were stories that Alfred, Batman's butler, wrote about a possible future time when his employer had retired from crime-fighting and been succeed by Dick Grayson as Batman, while the new Robin was none other than Bruce Wayne, Jr., the offspring of Batman and Kathy Kane, the former Batwoman.

The series debuted in Batman #131, the April, 1960 issue. Batman has just retired in favor of Dick Grayson, and Bruce, Jr., wants the job of Robin. Over time, he proves his mettle, although typically for a youngster he is impulsive and prone to not thinking things through. However, in a noticeably weak ending the new Batman and Robin are about to be killed when Batman I and Batwoman show up to save them.

The duo return in Batman #135. This time they are faced with a criminal bent on revenge against the original Batman. They are captured, but fortunately the original Batman saves them.

Are we beginning to see a problem here? These are supposed to be tales of the new Batman & Robin team, and yet every time, just as they are about to be killed, the old Batman shows up and saves them. Ditto with Batman #145's third entry in the series, The Son of the Joker:

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The Brave & The Bold

Người đăng: vanmai yeu em on Thứ Bảy, 11 tháng 11, 2006

One of the more interesting DC magazines of the Silver Age was the Brave & the Bold. The first issue hit the stands in Aug-Sept 1955. Perhaps inspired by the movie The Black Shield of Falworth, it featured the adventures of warriors from the past: The Golden Gladiator, the Viking Prince, and The Silent Knight. The features, drawn by Russ Heath, Joe Kubert and Irv Novick were terrific reads with some famed covers:



But after issue #24, DC decided to take the magazine in a new direction. Showcase, another DC magazine, had been churning out new characters (or revamps of old ones) on a regular basis. With issue #25, Brave & Bold became another tryout magazine for new features that DC hoped would catch on with the public.

The first effort was called the Suicide Squad, a Mission Impossible-type force that did not seem to catch on with young boys. After three issues, Brave and Bold came up with a winner as the 28th issue featured the Justice League of America. The JLA was an organization of superheroes, including (at first) Aquaman, Flash, the Martian Manhunter, Wonder Woman and Green Lantern. Batman and Superman were also members, but at first they were usually kept in the background, probably for fear they would dominate the group.

This series succeeded quite memorably, but oddly that turned out to be the exception rather than the rule. After three JLA tryouts, Brave & Bold tempted youngsters with Cave Carson's Adventures Inside Earth. No sale. Then came three issues of Hawkman drawn by one of his GA artists, Joe Kubert. These also failed to fly off the shelf, so DC came back with three more tryouts for the Suicide Squad. When the kids failed to drink the Kool-Aid, the Brave & the Bold went back for two more issues of Cave Carson, followed by three more of Hawkman.

None of those features graduated to headliner status. Particularly troubling to DC must have been the Hawkman failure; this was the first superhero mag put out by DC in the Silver Age which failed to catch on (although it did later after a third trial run in Mystery in Space).

Brave & Bold did try something different with #46-49: Strange Sports Stories. These were oddball adventures mixing science fiction with sports. Drawn by Carmine Infantino, they also included something unique; the narrative captions were given illustrations too:



But once again, the sales did not justify creating a new title, so with #50 they again tried something different: A teamup of two of DC's existing superheroes, in this case the Martian Manhunter and Green Arrow. B&B #51 featured Aquaman and Hawkman. Then, in a surprise manuever, DC teamed up several of its top war comics features: Sgt. Rock, Johnny Cloud, and Jeb Stuart for #52; this was the first crossover for the war heroes, although there would be more. Issue #53 featured a teamup of the Atom and the Flash.

Finally, DC hit the jackpot again in B&B #54, with the Teen Titans (although they were not referred to as that in the story or cover). Kid Flash, Aqualad and Robin teamed up to help some of their fellow teenagers. There followed two more teamup issues before Metamorpho debuted in B&B #57 and #58. Batman hooked up with Green Lantern in #59, followed by another Teen Titans tryout.

In Brave & Bold #61 and #62, DC tried bringing back some more Golden Age heroes, with Starman and the Black Canary. Although the series did not take, the stories in those issues are particularly gorgeously drawn by Murphy Anderson and are well-worth reading.

B&B #63 features a meeting of Wonder Woman and Supergirl. The story concerns Supergirl's desire to be more like a normal girl. She decides to abandon fighting crooks in favor of being a fashion model in Paris, where she falls for a young Frenchman. Wonder Woman, dispatched by Superman to talk her out of it, finds herself enticed by the simple life. The story does reveal one major drawback of teamup stories. Because they are created by people other than their usual writers and editors, there are frequent goofs. For example, consider this embarrassing flub:



Of course, it was well-established in the Superman books that only lead could block Kryptonite radiation.

The next three issues featured more of the seemingly random teamups--Batman/Eclipso, Flash/Doom Patrol and Metamopho/Metal Men. By this point (mid-1966) it was obvious that the Batman show was a major hit, and for the next six issues (a full year), the teamups featured Batman and another DC character. Batman did not appear in B&B #72, which featured the Spectre and the Flash, or #73, with Aquaman and the Atom.

After that, though, the teamups always featured Batman, I believe all the way to #200, the final issue for this interesting title.
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Number 52


Jack Cole and Silver Streak, Part IV


This is the last of the Silver Streak stories published in the one-shot, unnumbered issue of Silver Streak, published in 1946. The story itself was originally published in Silver Streak Comics #7 in 1940.

Previous postings of Jack Cole's Silver Streak were Pappy's Number 6, Pappy's Number 18, and Pappy's Number 36.


In his comic book days Cole was never far from his bigfoot art style of the 1930s. As a matter of fact, I don't think the superhero stuff came easy to him, not as easy as the cartoony stuff, that is. This story has some really weird cartoon characters. The premise of the story is ludicrous, but that was something of a hallmark of early Golden Age comic book stories.

From Silver Streak Cole went on to Plastic Man, Midnight, even The Spirit during Will Eisner's Army service. Cole did some horror and crime stories before wrapping up his comic book career and becoming Playboy's top cartoonist. He then created a syndicated newspaper comic strip, Betsy and Me, before shooting himself to death.

Jack Cole would have had a lot of good years of drawing in him and we are poorer for losing out on so much. The old Silver Streak Comics, with their cartoony art and bizarre stories, were very fun, but came nowhere close to showing the inspiring talent that was routine for Jack Cole just a few short years later.










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Người đăng: vanmai yeu em on Thứ Sáu, 10 tháng 11, 2006

Number 51



Frankenstein Friday: Frankenstein Comics Covers



Most issues of Frankenstein Comics by Dick Briefer had great covers. These issues, #3-6, are no exception, sporting bold, poster-colored covers, sure to stand out on any newsstand of the era.


Click on the pictures for full-size images.



I don't own any of these issues, so I found these covers on the Internet. I especially like the cover with the little Frankenstein monsters. The cover of #6, with the steamroller flattening some people reminds me of the story, "The Flat Man," from the horror comic, Journey Into Fear #19, from 1954, drawn by the Iger comic book shop. It was the plot of a story which seems like it would fit into the funny Frankenstein. It was actually funnier because it was supposed to be serious.






Next week, should I get it scanned in time, I'll be showing the first story in Frankenstein #7. Be here!

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